Let’s Fail Again! Three times is the charm.

Not giving up. Now that helped me improve a lot. You start out an amateur, so of course you will have good days and bad days. There’s a different way to phrase “not giving up”: keep failing.

I have heaps of drawings that I want to rip apart and never look at again. Today that happened again. I wanted to draw some fairies and horses for my sister. My first attempt was a mess.

Iris Hopp - first failed elves sketch

Okay, I thought, let’s try again. The second time I drew slowly, using my first sketch as an example. I looked at horse pictures and tried out ideas on a different page.

Iris Hopp - second failed elves sketch

Failed again.

I ripped the pages out of my sketchbook. I’ll draw something else. At least I tried, right?

But I realized what I was telling myself: give up, just draw something easier. I liked the idea of elves playing with horses. Why did my drawings fail? I can draw horses. I can draw figures. So why couldn’t I draw figures on horses?

I looked at the sketches… the horses were fine. The elves were too big, and their body language was weird… Hey, I could draw the elves a bit smaller. I acted out the poses of the elves. Oh, this kind of pose feels more natural. Maybe add trees to give it a composition?

Okay, one last attempt. And this time, I was happy with the result.

Iris Hopp - elves on horses drawing

The idea was the same. Heck, it was almost identical to my first sketch. It just looked ten times better. I took the time to think about my previous drawing, decided what wasn’t working and drew it again without the early mistakes. Practice makes perfect, right? Well… If I had drawn it fifteen times without stopping to think why it came out ugly, I would have failed over and over again.

This is the kind of failure that teaches me the most. It always comes down to “why”. Why did I fail? Not because I’m a bad drawer. Not because it’s too difficult. No, just small parts: change the gesture, ditch the dogs and fix the proportions.

And just like that, I improved from this to that in one evening:

I love this quote:

If you want to increase your success rate, double your failure rate.” – Thomas Watson

That’s exactly what I did! I failed and failed again, and then my third attempt was a success. Three times is the charm 🙂

If it isn’t working, try again. If it still doesn’t work: find out why. Ask in a critique forum, compare to a tutorial, or just pause and think. If you find the answer, you’ll be able to fix it.

What if you can’t figure out what’s wrong? Move on to the next drawing. As you grow as an artist, you will learn. The answers will come to you. Next year this could be the “before” picture of your improvement chart! 🙂

Are you going to give today’s drawing a second pass? Happy drawing!

– Iris

Why would I end up an artist? I wanted to be a caveman

Caveman artist

What do you want to be when you grow up? At 23, I finally have an answer. I want to be an artist.

It took me a while to decide. In university I mixed culture and biology. Yes, it was interesting. I dissected a rat and then went to a lecture on Asian art. As a teenager, my dream was opening a pet store. My childhood dream was becoming a caveman. Weird how I went from dreaming of lush, curly hair all over me to plucking of my eyebrows.

Why art?

I have always been scared of art. I couldn’t paint like Rubens. Drawing was nothing but frustration. No talent, no future.

You need to be born with a gift for art.

That’s what I believed.

But a new idea sprang. You could learn. I understood that Rubens didn’t come out of the womb with a pencil in his hand. He practiced. All the great artists practiced. They got better till they became masters. What does this mean? That there is hope.

Current artists show  that you can go from an average doodler to a professional painter. Do you want examples? There’s Algenpfleger (before & after), MindCandyMan (before & after) and Marek Okon (before & after) .

I had to start somewhere.

A lot of art books are step-by-steps or aimed at artists with experience, but luckily some people recommended me books to get started. Books like “Drawing on the Right Side of the Brain” (Amazon link) assume that you have zero experience and teach you drawing methods instead of only showing you steps.
I started drawing just one hour a day.

I saw my art improving every day! This was my progress in one week:

Ivy leaf - first drawings by Iris Hopp

I passed the first stage. I went from being an “absolute beginner” to being just a  beginner. There is much more to learn… (wait for it, I’ll show you my level of car drawing in just a second). I want to be a good artist. That will take time and effort. That will take an awful lot of drawing practice!

My plan is to create a portfolio and go to art school. This means self-studying art for half a year. Isn’t it contradictory to first study art and then go to art school? There are two reasons for this. First of all, I will know whether I have the drive to buckle down and study art. Doodling is fun. Measuring perspective and analyzing anatomy… well, that’s not as fun as doodling.

The better my portfolio, the higher my chance of getting into a good art school. I have a lot of stuff to learn.

For example, drawing cars. Don’t laugh, but this is my attempt at drawing cars:

car sketches sketchbook

See? I am nowhere yet. The good side of sucking really bad is that there will be improvement. Even if I don’t get on Rubens’ level, hard work will get me beyond where I am now.

It takes some courage to acknowledge failure. I have a Tumblr to showcase my “happy accidents”. Those paintings made me go “Ooh, maybe I do stand a chance”, but I was hiding the bad work. Even worse, there were weeks of not painting at all.

“Don’t be upset with the results you didn’t get from the work you didn’t do.”

I have to draw every day. I don’t want to be a caveman, I want to be an artist. A pretty good one.

– Iris