Edit: I’m going to art school now, so I’m dropping the weekly exercises. I might pick new ones after my studies, more suited for my situation then.
The title is a lie. It should say “Art exercises I will do weekly after I slay the procrastination monster”. I just found a great new blog to read! Yaaaayyy! This spells doom and gloom for my productivity. On the positive side, I discovered it after finishing my painting session. I also managed to write up this blog post, didn’t I? 😉
Well, what are these weekly exercises about? I’ve been planning for a while to start an art routine. It’s finally taking shape! By having a bit of structure, I’ll be able to easily keep track of my improvement. I’ll post the proof of me slaying the procrastination monster on Tumblr by the end of the week. Pinkie promise. 😀
What are the 7 art exercises I want to do weekly?
- A portrait study
- Perspective breakdown
- Interior or Architecture study
- A contest submission
- A drawing request
Now let’s get into some detail: what are these exercises exactly and why do I want to do them? We’ll discuss the what-why-how of each!
I mentioned gesture drawing in my post on drawing with your left hand, but did I tell you why gestures are important? By practising gestures, you can show energy and action in your drawings. Having a good understanding of gesture also prevents your figures from looking stiff and unnatural. Do I need to practice my gestures? Oh, for sure, I do. I remember drawing a running guy during biology class and someone asked me:
“Iris, why are you drawing someone falling?”
Oops. Two years have passed and my running figures still look like they are tumbling down a ravine.
- Portrait study
In my humble opinion, human faces are the most important drawing skill for an illustrator. Becoming an illustrator happens to be my goal, so… I often sketch faces, but never dedicate time to studying portraits. As a result, my faces all look the same and I have trouble with unusual angles.Time to do long portrait studies, from life or from photo reference. I’ll study the structure of the face as well as the features. I’ll work digitally and force myself to spend two hours on it. Besides improving my faces from imagination, I hope to get the knack of getting likeness. When I sketch people on the subway, they always look like a completely different person. I’m not sure what I’m doing wrong… Focusing on portrait studies should help me out.
This is the last painting I made, a Cossack charging on horseback:
I repainted and repainted and repainted the little guy in front, but it just didn’t work out. I rearranged the victim and the charging Cossack, I changed the direction the horse was running in… For some reason I’m clueless about composition. When I end up with a nice piece, it’s because I happened upon the composition by chance.
Trial and error is a valid way to learn. It also takes a lot of time. That’s why I decided that I have to stop fiddling around and tackle composition head-on. At the moment the plan is to study master paintings. In other words, I want to learn from great examples. I am also looking for guides or books on composition. If I find a particular good one, I’ll add it to the composition study routine.
- Perspective Breakdown
This is a new exercise for me. I have always avoided perspective. My plan? Take an object and draw an analysis of the perspective: vanishing points, basic shapes, … This will be my very first step towards technical drawings. Guess what? I’m scared. Yup, even thinking about perspective exercises is scary for me. This means that I’m getting out of my comfort zone. It’s a good sign.
- Interior/Architecture Study
Yes, another exercise that scares me. This type of artwork also needs perspective… and patience… and precision. I’m very weak at landscapes in general: I sketch and paint without backgrounds. However, instead of just studying “backgrounds” or “landscapes”, I decided to narrow it down to interiors and architecture because otherwise I’d keep avoiding perspective forever. The perspective breakdown exercise is for studying objects in perspective, this exercise is to practice large-scale perspective. To maximise the benefits of this exercise, I better start adding backgrounds to all my drawings. That way I’ll apply my studies to my regular art work.
- A contest submission
At first I called this “a finished painting per week”, but I decided to go with a contest submission instead. Why? There are two benefits to participating in contests. First, you can compare your work to that of other artists. Secondly, you can ask for feedback. I decided to go with 99designs.com. Do you remember the Cossack painting I showed you earlier? I submitted it to 99designs with a small comment, and the contest owner messaged me back explaining why he didn’t pick my design. I didn’t get a price, but I got a lesson about design instead. This motivates me to keep participating. Hey, I might even win a few bucks! Fingers crossed 😀
- A drawing request
I’m doing free request on deviantArt and gave myself two rules to abide:
- Draw the request traditionally.
The digital medium lets you undo and redo and gives you no limits considering size or colour. When I draw with ballpoint, I have to think about how to draw a glowing orb with my limited colours, and I have to plan ahead because I can’t redraw a pose without starting completely over.
- Make A4-sized drawings
A bad habit that I want to correct is drawing too small. The previous requests I did for deviantArt users were tiny scribbles. Scribbling on tiny pieces of paper is a three-year old habit and by doing a weekly big drawing, I hope to slowly get used to different formats. It will be better for my wrist and will allow me to draw with more detail.
I better start, because this is a pretty intensive to-do list! Do you think having a set of weekly exercises will make you practice more?